December 5, 2017, 10:19 am
Making a new solo I desire objects I desire fans? I desire to construct something and then deconstruct it I desire to build, accumulate, form As the work The work is about constructing a universe Entering the world Re-entering the world Transforming the space as the work Transforming the space and thus transforming my body My body as an extention of the architecture of the space My body as object??? Subjecthood Can the space be a character? Can the objects become characters? Can everything take on a life of its own? Why does this matter? Finding all the ways to arrive Finding all the paths Always ending up at the same point? How we arrive? Does it matter the path we take? I am interested in people's stories of arrivals and departures. I am interested in how you got here, to this moment. I want to play on the stage- Gesture- the architecture of gesture Gesture as a device to find states of being Gesture has tone, weight, power to take me somewhere, gesture is the expression of interior spaces Process of what? Process of becoming – but who, what, where is becoming? It is all part of the work – the putting on – does the work bookmark- begin and end with the empty space, the unmarked space? Why the fans? Why 3 fans? Why their cords? What is the appeal of the way that the cords trail? Why the sounds? How do each of these episodes begin and end and connect? Do they each occupy a distinctly different state? A different feeling tone? Or is this work about a detachment of self? Can you even detach the self? What is primary in this work? The movement or how the movements are performed? Am I stripping away the affect or not? There is something so satisfying to me about these every day objects as sculptures. I am having trouble sustaining a rehearsal process. I need to set a schedule – 1.5 hours or 2 hours? I want someone else in the room with me. Can the fan be any object? At times I feel as though I am carrying a suitcase but I don’t want it to be a suitcase, I want it to be an object full of meaning but devoid of the actual associations. I want the object to be disassociated from its use, from its identity, can I do the same with the body? What is the movement about – there is something about putting myself in relationship to the fans, to the architecture, about putting things next to each other, about letting my shape and its shape be in dialogue. The sound will be important here, the sound should be extreme, the sound should push against the calm, quiet, composed demeaner of the work, the sound should contrast, heavy metal music??? The shaping of the space is the transition between elements. Does each section of the work deal with a different section of my body, a differnet section of my identity? The building of these arms?? Something about the pelvis, something about allowing this space to have space, to take up space…. Picking up and putting down the fans, the rhythm of the sound, the delicacy of the object?? Buy fans?? What happens if I alow it to break? Running, rhythm, hearing my feet hit the ground, no sound is important here Behind the fans, using the fans as a boundary, a border, a designation of space Carrying both the cord and the fan How does my body place the object? Stay longer in poses – duration of these, Do I return to neutral? Diagonal walk out from fans Good transition Yes to placing the fan cord Mariyn Manson’s Beautiful People Walking on, placing fan with body folding, holding cord Return to same off stage place? Yes? Place all three fans Return off stage 4th time walk on alone Lie down on floor Walk to arm out – 90 degrees One more shape??? Walk to face back diagonal, other diagnol, towards phrase work Very mechanical arm Just straight out and over the top out? Pick up in speed Then gesture, gesture, gesture, gesture, slow motion Slow motion shape Fall to lunge Push back Arms forward and back, linear, traveling diagnol, increases in unpredictability Arm to linear line and head slowly turns Walk to fans Move fans
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PurposeThis is a blog of processes. Through the sharing of media and writing I am following my impulses, teasing out and unpacking, translating, solidifying, and making concrete my investigations into something that can be shared. Archives
February 2018
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